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The Victoria and Albert Museum in London has announced that its next fashion exhibition will be dedicated to the British supermodel Naomi Campbell, almost 40 years after she was first scouted in Covent Garden at the age of 15. The exhibition, called simply Naomi, will follow the museum’s current retrospective dedicated to Gabrielle “Coco” Chanel, and will showcase pieces from Campbell’s own extensive personal wardrobe, alongside archive looks from her runway career loaned by designers. “For me as a fashion historian, what is so fascinating is the way that her 40-year career intersects with the best of high fashion,” curator Sonnet Stanfill explains to Vogue. “We’re telling the story of a career through clothes—clothes that are extraordinary.” There will also be an installation of significant fashion photography, curated by British Vogue’s editor-in-chief Edward Enninful, which will capture the “special alchemy she has with photographers, resulting as magic on the page.”
Fashion month, what feels like the longest month of the year, has reached its end. On today’s episode, Chioma and Chloe are joined by friends of the pod, Vogue Runway Director Nicole Phelps and Vogue Fashion News Director Mark Holgate, to unpack the best moments of the past few weeks. Paris Fashion Week just wrapped, and the Vogue team was itching to get into it. (Yes, there was apparently a bed bug infestation plaguing the City of Light, but nevertheless, the shows went on.) Fresh off the tarmac, Nicole was our resident expert on all things Paris. Maison Margiela, with its scrap clothing pieced into beautiful silhouettes, was a season highlight for her, as was the larger-than-life Undercover collection, which made headlines with its terrarium dresses (with live plants and insects in the garments). Don’t worry—no butterflies were harmed. Mark was a fan of the pairing of a sparkly cocktail dress with a T-shirt at Miu Miu, and of the ephemeral Prada collection, with all its flowing chiffon. And another friend of the podcast, Usher, was in the front row at Marni. He was performing in Paris and having a great time—but when isn’t he?The editors also shed a collective tear (as did Naomi Campbell) over the final Alexander McQueen collection from longtime creative director Sarah Burton. The mention of Burton’s departure led to a discussion about the much-needed appointment of women and people of color as creative directors at legacy fashion houses. They also discussed the continuing dearth of size diversity on the runways. Designer Karoline Vitto, who worked closely with stylist Katie Grand, pleasantly diverged from the straight-size hegemony in her show, which strove to center models who aren’t usually on the runway with exciting cutout designs. Now we rest, and hope that our team, and the rest of the fashion world, stays bed bug-free!
This is the first time that a model will be the focus of an exhibition at the V&A, and Campbell’s personal involvement also makes it unique. “We are very much working with her to foreground her voice and her perspective,” Stanfill says. “I think what has come through those conversations is that this isn’t really a retrospective, as although it’s looking back across 40 years, she is still so active—she’s in ad campaigns, a coveted presence on the front row, and is regularly walking on the runway.”Photo: Marco Bahler Naomi—which will open on June 22, 2024, and run until April 6, 2025—will be a “broad survey of past and present”, with an emphasis on designers who helped shape her early career, such as Azzedine Alaïa (or “Papa”, as Campbell called him), Yves Saint Laurent and Gianni Versace, but also an exploration of her more recent runway looks. The exhibition will span 100 items in total, with pieces from Chanel, Dolce & Gabbana, Alexander McQueen, Jean Paul Gaultier, Virgil Abloh and more set to be included. The only gown Stanfill confirmed will appear is the pink feathered and lace gown Valentino’s Pierpaolo Piccioli designed for the supermodel to wear to the Met Gala in 2019.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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